大象视频

BOOKS:

The Maciste Films of Italian Silent Cinema (Indiana University Press, 2015)

Divi.  La mascolinit脿 nel cinema italiano, with Catherine O'Rawe (Stars: Masculinity in Italian Cinema, Donzelli, 2015)

Beyond the Latin Lover: Marcello Mastroianni, Masculinity and Italian Cinema (Indiana University Press, 2004)

Co-editor (with Piero Garofalo, University of New Hampshire) and Contributor, Re-viewing Fascism: Italian Cinema, 1922-1943 (Indiana University Press, 2002)

JOURNAL ARTICLES:

Lotti, D; Reich, J., co-editors of and introduction to a special issue of Immagine: Journal of the Italian Film History Association, "Models of Masculinity and Stardom in International Silent Cinema" (2023).

"Place, Race, and the Picturesque in Bronx Italian American Oral Histories Remembering and representing the urban immigrant experience in the twentieth century," co-written with Kathleen LaPenta. Words and Silences 10.1 (2022)

"Performative Ethnicity, Embodied Memory, and Oral History in the Narratives from the Bronx Italian American Initiative," co-written with Kathleen LaPenta. Italian American Review 10.1 (Winter 2020): 1-18.

"Mob Wives: Exploitation or Empowerment," co-written with Fatima Karim in Mafia Movies: A Reader, Second Edition (Toronto: University of Toronto Press, 2020): 163-170.

"The Digital Afterlife of Italian Cinema." L'avventura.  International Journal of Italian Film and Media Landscapes 1/2018: 3-18.

"Maciste Goes to War: Maciste Alpino,"Journal of Modern Italian Studies 22.2 (2016): 324-339.

"Martin Scorsese, European Cinema and Masculinity," co-written with Giorgio Bertellini. The Martin Scorsese Reader, ed. Aaron Baker (Wiley-Blackwell, 2014).

"Slave to Master: The Racial Metamorphosis of Maciste in Italian Silent Cinema," Film History 25.3 (2013): 32-56.

"Slave to Fashion: Masculinity, Suits, and the Maciste Films of Italian Silent Cinema," Fashion in Film, ed. Adrienne Munich (Bloomington: Indiana University Press, 2011): 236-259.

"'The World's Most Perfectly Developed Man: Charles Atlas, Physical Culture, and the Inscription of American Masculinity," Men & Masculinities 12.2 (June 2010): 444-461.

"Stars, Gender and Nation: Marcello Mastroianni and Italian Masculinity," Screening Genders, eds. Krin Gabbard and William Luhr (New Brunswick, NJ: Rutgers University Press, 2008): 49-60.

"Undressing the Latin Lover: Marcello Mastroianni, Fashion, and La dolce vita."  Fashion Culture, eds. Stella Bruzzi and Pamela Church Gibson (Routledge, 2000): 209-220.

"Reading, Writing, and Rebellion: Sexuality, Collectivity, and Specularity in the Italian Schoolgirl Comedy, 1934-1943."  Mothers of Invention: Women, Italian Fascism and Culture, ed. Robin Pickering-Iazzi (Minneapolis: University of Minnesota Press, 1995): 220-251.

"The Beauty of Maciste," Cabiria Atlas, University of Turin 2025.

"Bonnie, Beene, and the Female Gangster" (with Dr. Mario Roman, 大象视频), Fashion Media Conference, Southern Methodist University, February 2025.

Keynote Address, "The Whiteness of Shady Women," Donne tenebrose/Shady Women, University of Pisa, December 2022

Keynote Address, "The Bronx Italian American History Initiative, Representation, and Race: The Case for Digital Community-Engaged Scholarship", NEMLA Annual Conference, March 2022

"Masculinity Studies and #MeToo: Thoughts on Representation and Responsibility," Rutgers University, October 2018

Keynote Address, "The Digital Afterlife of La dolce vita", Celebrity and Cultural Industries: Film, Fashion, Music, Publicity, Bologna, Italy, December 2016

(2024)